It’s time for the very first update of the year- I won’t do these as frequently, probably, because some of the content gets a bit redundant.
First; I have managed to acquire a dozen or so new works I did not have before, for editing. I have enough material to last me through 200 editions, which is the end goal for this year.
Second: Because of my surge of work in December (which I will continue through this month also) I am well ahead of the curve- a lot of the remaining works I hope to release are fairly short and most are in good condition so replicating and editing them will be quicker than for works in poorer conditions or which are quite long. (I like to release works that most consider too short to be worth editing.)
Third: At some point I am going to take a good long look at the Grand Albert and consider releasing it as I did for the Petit Albert: It is important to note that there are two Grand Alberts in circulation, one of which is not a folkloric document and has nothing to do with occult workings.
Fourth: It seems sales have recovered from their lull post-Createspace and may even have risen, possibly because of the huge number of new titles released in December. Since income from crowdfunding is down across the board for most people who create content at all it makes sense to surge on ahead with what has been my primary income anyways; namely, literature.
Fifth: I hope to write a few works of my own in 2019- a couple occult topics and perhaps some spooky fiction.
Onward with the year!
Alright literary world; I am happy to announce that I have finally figured out a way to return to editing, and of course I must give a quick update on Lesser Keys progress!
I shall do the latter first; my artist at last check was half done with the Theurgia Goetia illustrations. Since the Ars Goetia and Ars Paulina were done to begin with, we’re nearing the end of that chapter of work- which is great since it might be the most famous grimoire of all.
To my new editing works; I am currently working on a pair of literary releases by Wiedermann on Egyptology- respectively on the pagan concept of the afterlife therein, and the concept of immortality. These Victorian era works are quite good, and thence I must explain how I intend to continue editing despite the increased stringency of Amazon:
1. For every work there must be an archived physical scan that can be used to prove beyond doubt that it is public domain.
2. While works prior to 1923 are not copyrighted I will only edit works fifteen years prior to this, AKA prior to 1908 as of this posting.
3. I intend to focus on works which are unlikely to have been released prior in the last century, because Amazon presumes copyright belongs to the most recent person to release a title even if the progenitor title is public domain.
I’m not looking for trouble now that I have 150+ editions already released. Finding a few dozen more obscure occult works will be a breeze.
Alright blog readers!
1. Over the coming weeks an edition, finally, of the infamous Lesser Keys- that grimoire compilation of compilations- will be finalized. My artist, the talented Rita Metzner (who already illustrated the Ars Goetia for me) is working through the symbols in the Theurgia Goetia and the single illustration in the Almadel. Once those are done it will be extremely simplistic to craft an edition since the Goetia and Paulina are already available and in final form. I would like to note that my edition will not contain the Ars Notoria, as it does not belong to the same era or manufacture of the other four books.
2. A quick update on Createspace- they still haven’t fully switched into KDP/Amazon so my hope (my dear hope) is to release aforementioned edition the old way. Otherwise it might take a bit longer as I have to figure out how to make paperbacks separate from ebooks via KDP.
3. Almost 200 copies of the Book of Styxhexenhammer have already sold in less than a month. This is considerably higher than anticipated.
4. I have some ideas for authored works but I want to at least knock three edited works out of the way by the end of the year also, to make it a round 155 editions total.
A fun (and busy) last quarter of the year approaches!
It’s the last day of July and that means a quick update.
have completed “Football Occultism” and intend to release it soon. This will be one of two works I am currently actually working on after shelving a half dozen editing projects due to Createspace’ new apparent set of rules. The other work? The Lesser Keys, which require the editing and illustrating of the Theurgia Goetia.
It will be two days, I believe, before “Football Occultism” is available; I need to do its cover art then up the files. After that is done, and the full Lesser Keys are compiled and released, I intend to primarily focus on my own works for the rest of the year and possibly the rest of my life since editing has become hazardous even to very careful, skillful, professional editors if they use any third party service. Any future edited works will have proof of status compiled and archived well before release and I will host my own proof by mirroring applicable sites perpetually. This unfortunate necessity shouldn’t be necessary but is.
Before Halloween I have a half dozen Occult videos to make also! Spooky!
Alright literary world.
Since I still do not wish to continue editing without great caution I have been feverishly improving one of my own authored works; “After the Ashes” (originally from 2015) now, I think, considerably better. I redacted a few dated portions and replaced them with updated info (for example, North Korea had atomic but not hydrogen weapons in 2015!) and reformatted it. I am now working on the cover and tomorrow or the day after it should be ready; the second edition! I’ll keep the first available as well. It runs 119 pages.
Next up planned for around mid July then is “Psychedelic Spirituality”- this work of psychotropic lore contains some anecdotes from my own former shamanistic dabblings, a general list of mind altering substances of note, and some political material associated with psychedelics and the drug war/temperance. I imagine I’ll be adding a section or two to this one.
After that I plan to write a couple dozen new morbid stories and split the initial work in two. The 6×9 format currently used for that edition doesn’t look right and it would end up nearly 400 pages as a 5×8 work, which is a nightmare to format properly as far as trim goes. Releasing MSI and MSII as a split work with a dozen new entries per edition makes more sense.
Every other work I have personally written will be re-released in a new format except for the five occult works I already did so for last year.
Alright everyone the weather is finally summer-esque so it’s time for a re-editing project update!
The update is that I am going to complete two more works and then shelf the project indefinitely with respect to all works I didn’t personally author. For those works the new editions will run alongside the old ones for some time.
Why? It isn’t like it’s hard to skim over a text I already proofread and corrected, since all I need to do is correct it once its new font and format are done, then make a new cover since the early editions weren’t up to my new standards. Since the payoff is so high (I can lower the cost and improve the product, which likely means more readership- a win win for everyone) and the effort fairly low (I can re-edit a text every day, and could re-edit all of them by mid June) why would I end the project?
The answer is Amazons’ arcane and slow copyright related processes; right now three of my works are awaiting confirmation that I have the right to release editions of them- one of them was written in the 17th century. I already supplied this needed proof (since these are just re-edits of extant editions from 2015 and early 2016) when I first released them. In the case of the Grimorium Verum (one of my top sellers among edited works- I managed to sell 47 copies of it this month before it got suppressed awaiting confirmation) it has been in this gray area for five days now, since twice I have supplied proof it is a public domain work only to be told I somehow need a signed statement regarding permission to utilize it.
But, Amazon, I AM the one giving myself permission; the original work was ALSO mine! And I can’t supply you the authors’ name or date of death- the author is not known! (Clearly listed in the text and on the BISAC info) Since it dates to the middle of the 18th century the general assumption is the author “probably” died prior to the 1800s, let alone the 1920s cutoff for public domain status.
The use of createspace/amazon for self publishing remains exceptionally easy overall but this is one part of the process that needs a tweaking desperately.
Over the course of the next 48 or so hours I’ll be completing another section of the Lesser Keys of Solomon (The Ars Paulina) and releasing it. This will be the 150th edition of occult literature I have released, between edited and self-written works, and so it’s a fairly significant milestone.
It also means it’s time for disclosing my subsequent plans!
For some time now I’ve let my files (pdfs, odt files, text file descriptions, illustrations, etc) build up in various folders, unsorted and so forth- I am going to take a day subsequent to the release of the Ars Paulina to simply organize my files. After that, I need to take a good couple of weeks for some other planned catching up for previous releases:
1. Remaking about three dozen covers, since I use a different, better font, trim, and logo.
2. A cursory grammar and spelling check for said releases.
3. Re-illustration of a few early works.
4. Completely re-processing every pdf file into an epub file so all the kindle ebooks will be 100% perfect in format. No more complaints about blank pages, etc.
This will occupy me probably through all of May and so, as such, after I link out the Ars Paulina there may not be any further updates until June. Releases will resume thereafter; I promised at least 200 editions, and it will almost surely be hundreds more over the years.