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And now it is time for my 155th occult work and the final work of 2018- the Ars Theurgia Goetia, which is the second book and a component of the Lemegeton AKA Lesser Key of Solomon which I released previously. It required some degree of reformatting since the work is shorter, but it’s still its own technical stand-alone work. However, it should be noted that some content here explicitly requires the first book, the Ars Goetia, to function.
This particular part of the Lemegeton dwells on spirits which are less Hellish and strictly demonic than the former work, while naming some of them as largely malevolent. The number of purposes for these demons and their summonable dukes (and occasionally “under-dukes”) are less than the arcane and strange Ars Goetia.
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This short grimoire is almost purely white magick; as a series of aphorisms in septenary form, it differentiates types of magick and some philosophy therein. This is one of the re-edited early works I crafted which needed a new format and never got an individual entry. It’s well written, and due to its largely positive, angelic content, largely escaped censoring through time.
This is one of the four (true) works comprising the Lesser Keys of Solomon (the Notoria is not of the same era.) Less well known than the Ars Goetia, it is nonetheless 1. a distinct work and 2. important to the general tradition it is part of; specifically, it is an astrological work before anything else, which fails to give the sort of detailed list of powers for each of the angels it purports to allow one to summon.
It is broken into two sections. The first details the angels of the hours and the second one the twelve signs of the zodiac. In both cases, seals are constructed and used with a complex table of practice in combination with several invocations. It’s quite a good work overall albeit shorter than the Goetia it shares tradition with.
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I am extremely pleased to announce that the Ars Goetia, arguably the most infamous of all demonic works, has been completed; this edition has been re-illustrated by the talented Rita Metzner and has had some changes made to its format over some editions (for example, giving each of the 72 demons its own page for ease of use; some editions place the Seals in alternating columns or put the description of the demon above, not below them.) Not meant to be superfluous and flowery but rather a functional edition, I omitted some of Crowleys’ additions, which have technically nothing to do with the original literary tradition.
I am pleased to say my edition here is the apparently least expensive edition available anywhere in paperback format.
For those not aware of the content, it is summoning; specifically aforementioned demons, using a system involving a magical circle and triangle, various seals, and standardized invocations. These various grotesque demons can, the book claims, allow the Master to talk to animals, see strange visions, and generally gain power, love, wealth, and other things; the one working such rituals needs to be wary though, since some of these demons can cause illness just by being nearby, requiring a magical ring. Others are a bit less malevolent. This text is one of a number of works which was compiled into the Lesser Keys of Solomon, of Mathers and Crowley fame.
It should be noted that I intend to release the other books of the Lesser Keys of Solomon (minus the Notoria, which is not authentically part of the same period works) compiled together, but that the Ars Goetia is its own stand-alone work and needed to be released as such prior.
Stolas be praised!