That happy time is fast approaching; the monumental 150 edition milestone is only two works away, and so it’s time for an update and to lay out my plan for the coming stretch of about a month or two.
First and foremost, edition #149 (which I have formatted and completed the preface to as of this morning) will be on Malay magicm entitled “Shaman, Saiva, and Sufi.” It’s a fairly standard mid length Victorian work that I think people will enjoy. As for edition #150 I am split between a work on mysticism within islam, or else the Theurgia Goetia (which is half pictoral, meaning I’d edit it and have it re-illustrated, I hope, by my usual illustrator, while the next phase of my literary work begins.)
Secondly to the next phase of my literature, before I proceed beyond edition 150 there are two things I’d like to do.
1. Fix the cover art and format of a few dozen of my oldest works which are not up to par, along with the occasional noted grammatical error.
2. Render every edition into an ebook using the actual kindle file type, not pdfs, so that they translate better onto a digital notebook.
The process involved with those steps will take some weeks but presumably be worth the effort. I look forward to the final phase of this particular step in my literary workings.
I figured it was about time for another update; as spring marches along I’m already requisitioning materials for my garden, so those of you who enjoy that series will get some new footage soon- along with massive improvements.
On the literary side, I am now about 75% complete editing DeLaurences’ odd work “The Mystic Hindu Test Book”- this work covers astral bodies, spirits, crystal gazing, seances, and more; it’s quite good after the second chapter (up to that point it is self advertizement and run on sentences.) At around 130 or so pages, it will be an important work here.
After that, I figure on completing a couple other DeLaurence works; they’re all of similar length and have various eugenic-era spiritual content revolving around eastern tradition, spirits, and the like. I also have two short herbals and need to contact my illustrator for those to be completed. As promised the Theurgia Goetia will also soon be edited. I figure I can complete seven new works by the end of May at current projections.
This short work is one of Kingslands’ additions to Theosophy; an interesting little booklet which compares Christendom with the claimed mystery religion at the core of Theosophy itself.
The words of Jesus in the canonical scriptures, as well as of Paul and others, here, are used to show that Jesus was not a believer in the kind of legalistic superstition of quasi-modern church dogma- indeed, not only is this inarguably factual, it has now recently emerged into other schools of completely legitimate philosophy.
Alright literary world, it’s time for a brief update as spring (very slowly) decides to encroach; this gives me a lot of ambition while suffering from cabin fever, although once it actually gets nice outside I do a “little” less editing and writing for a while mid spring.
I am currently about 90% of the way through “Aryan Sun Myths” and so that work will be ready and available within a week or so- “Demonism” I am half done with, so that would be the third week of March, roughly. A couple other works are planned for March: once Aryan Sun Myths is complete I’ll begin editing, I believe, the Theurgia Goetia, or perhaps the Paulina and Almadel (the two will be released together due to the lengths being too short to get the Paulina out solo); either way I’ll be contacting my illustrator, and by the summer all four books of the Lesser Keys will be available, I hope. After that it won’t be long before I release an edition of the same with a fairly elaborate foreword and some explanatory comments.
I have a few short alchemical works of note to process as well, along with the planned two herbals!
I am pleased to announce that at this time, the illustrations for my upcoming edition of the Ars Goetia have been completed by the artist (Rita Metzner, who has previously illustrated a couple of herbals for me.) The work is good and so far the formatting is going smoothly; the final edition should be a fairly standard length, perhaps a bit longer than some editions because I choose not to compress images to two-to-a-page so the finer lines are more easily legible. I expect to complete and release it this month; but it must be carefully done, because this is the ultimate big daddy of grimoires and will eventually be combined with the three other (authentic) works of the Lesser Keys in an edition of that as well.
I am also more than 80 pages into the Rosicrucian text I began editing in January; work has been slower since the beginning of chapter four, since now all remaining text is taken from other sources and compiled in this particular work by its author (read; it is in older English than the first two chapters with frequent quotations which are sometimes not entirely proper in format and must be reworked.)
Assuming both works are done before this month ends it will be time for a couple more herbal works I feel, and then work must begin on re-illustrating a half dozen prior editions.
Alright literary world!
I’m happy to announce that the first slew of illustrations for the Ars Goetia have been completed as of yesterday; the illustrator sent them along. That’s good, because there aren’t a huge number more then to be processed- so the Goetia might be ready before the end of January and barring calamity will certainly be out by February sometime.
Meanwhile, my editing of the New Fortune Teller has been speeding along and it’s almost done; I haven’t yet decided on which work to do subsequent to it, but it will probably be alchemical in nature. Onward!
As of last night a most happy event has begun; the fabled return of the legendary “Morbid Stories” is at hand, and once the current slew of new entries is compiled, I’ll be able to mildly re-edit the old ones, then create a two volume set mixing them all together. The original edition of the first Morbid Stories is, format-wise, not up to my modern standards, so it has to be remade anyways.
The first work of the year (which I am plowing through at high speed) is the “New and Complete Fortune Teller” (Also called the “New Dream Book.”) This medium-length work dates to the dawn of the 19th century so that makes it one of the older fortune telling works. The vast bulk of its content is dream interpretation (almost 80 pages of it) followed by some divination by moles, some chartology by playing cards, and a much-shortened, simplistic oracle (called in this work a fortune table.) It fits in completely with the oracle and dream book traditions. In due time I need to create perhaps a book of books cataloging, categorizing, and explaining these intertwined traditions and their various literary cannibalism.
I hope to release a second work in January alongside the New Dream Book, but have not yet decided on which. I want to return to some alchemy soon also.