Alright literary world;
It’s time for a little bit of an update- I’m quite excited for the next three months, that happy period of time where summer winds down towards Halloween, AKA the greatest holiday of the year. After Halloween, there’s nothing to look forward to until spring except stuffing yourself on Thanksgiving and Yule.
I have four works that I am definitively working on during this period; two herbal works (another government circular by the author of “Weeds as Medicine” and the South Sea Herbal) which will require illustration are on the docket, along with a short alchemical tract and the current work I am editing; “Secrets of Black Arts!” which is similar to other travelers booklets from the late 19th century and into the 1920s- these short works were part historical and part titillating grotesquery. Don’t worry, those won’t be the only works I release over this period; I have a half dozen others ready to format but I am not sure which of them will be completed- along with, I hope, the beginnings of SIH two.
That’s about all. Don’t dog-ear your books.
This manuscript concerns the chemical components of alchemy more than the actual crafting of any sorcerers’ stone or elixir itself; indeed, it is the general recipe for the precursor materials needed to work the great work itself. The formula is fairly explicit but most of the secondary content used to “prove” the point is religious in nature and heavily metaphorical. Overall, a fine alchemical work of note, from one of the less well known figures within the period. It is slightly similar to some of Hollandus’ work.
This very short tract is an excellent primer to alchemy; it’s actually more an explanation of the veils and hidden meanings of the terms used by other works than it is a process in its own right- the author is anonymous, but Waite dug it up and managed to translate it. Altogether, when paired with other longer, more literal works, it’s of far greater value than its general obscurity suggests.
Within the realm of alchemy a heavy amount of metaphor is typically used, but Freher’s short tract here is exceptional perhaps for its willingness to state that the spiritual, here, and the chemical are deliberately overlapped- that isn’t to say it’s as transparent as glass; the text specifically (at the end, obviously!) says there is more that could be said, omitted because it’s superfluous- a common cliff-hanger style in literature dealing with alchemy.
Though short, this work has as much detail on the rudimentary process of refining base materials into the stone of the philosophers (elixir)- here more a spiritual matter than physical, as the Rosarium Philosophorum.
Alright literary world!
I am approaching the end of two new short political works; “Against Communism” and “Against Corporate Media.” As promised I have two other political titles I plan to release as well this month. I have decided to break apart my efforts into segments over the coming months also. April will be herbal month; two and possibly three new works will be edited then. In May, it’s time to return to grimoires and work through the Ars Goetia (as a stand-alone release) and to begin working on the other books of the Lesser Keys. A modified version of my Ars Notoria will be wrapped up into this bundle.
June and July will bring a slew of psychic works and a new literary category. After that, I plan to return to my own titles and begin hammering Sickness in Hell II out.
These plans are malleable, but the year ahead looks like some good stuff.
This work is Rydberg’s finest- an academic compilation of subjects ranging from a treatment of the burning times, and of religious philosophy (dualism, specifically) to short passages on some cryptids of note, to various meanderings through the high ritual magick and alchemy of the era spoken of. Clearly hostile to Catholic lore, Rydberg manages to choke back his disdain of that church long enough to give it a fair shake at explaining its constant pogroms through especially the era of King James.
Its third section is a strange sort of quasi-fictional tale involving a group of men time traveling to the dark ages and confronting a sorcerer who is under the belief that he himself conjured them, written partly in the first person.
This alchemical manuscript is rather short, and alludes to Pontanus, Flamel, Hermes, and others, while proposing a six-step sort of system in which the philosophers’ stone is made and used for various purposes.
It is vaguely a shortened adaptation of the Rosarium Philosophorum; making use of the general metaphor of the age- coagulating, fermenting, distilling, and other processes are overlapped with spiritual, often cosmic imagery.